It appears that I have disappeared for the last two months. The truth be told, I have been sick with a combination of an impossibly virulent flu and the Humboldt Crud. Instead of using my wee bit of energy towards creating art, I’ve been looking for a job. I know, lame right?
This week the good people at Kala Art Institute suggested that I hang a print for the SGCI Studio Roulette Event and Conference on March 28th. And then I HAD AN IDEA! Why don’t I catch up on our UPL glyphs in order to get a print done in time? I have a month, that’s doable! It is, as I love to say, killing two birds with one stone. Which might be very offensive to the visitors of my other website, but whatever.
Below is my plan for my poster, using the dimensions I already have planned for the UPL dictionary. I AM WAY TOO INTO PLANNING, IN CASE YOU’VE NEVER MET ME. Since y’all can’t read it, a translation:
Universal Pictorial Language
Progress Report Poster Design
Each square is an official 3 inch square glyph, meant for the UPL typeface. Below that in the lower righthand corner is a calligraphic version in Katy’s hand.
Each glyph will be color coded, printed on white bristol and then mounted. Each positive will be kept for the UPL dictionary printing as a 4 inch square transparency.
Glyphs are in alphabetical order, and the color code is as follows:
Green - Approved
Blue - In Contention (people have complained about it, or Katy can’t draw it!)
Orange - Derived (inferred by Katy from other glyphs)
To see why I feel the need for an “in contention” category, enjoy my attempt to do a progress report as quickly as possible last night. Hands are hard!
So, that makes my goal a total of 35 unique glyph graphics printed, cut-up and set on paper. Their color will be determined by how far I get with approval via tabling and web surveys at the time of the printing. And then I can keep the transparencies to reuse for the dictionary printing if they are approved. And the multiples I create can be sold or given as gifts!
Now I have a quandary - I haven’t been able to standardize the approval process. Not only is it time consuming to table, but it’s harder to do it in Eureka than it is in Oakland. Less people, less public transit, more rain. Luckily, the folks of Giant Squid are getting back into the mix of things and may participate in North Coast Open Studios. And I might be lucky enough to piggy-back on other art events like Arts Eureka and Arts! Arcata… or run Ink People Center for the Arts meetings… or meets at Old Town Coffee. I don’t know yet, logistics are hard to do without knowing my future schedule.
So in the interim I am asking for glyph submissions and votes online, and then I’ll revisit the process. If you bunny-hopped here from my newsletter, I thank you for catching up with me. The next word for approval is BUT, followed by WE and AND. Send me a glyph or two if you’re feeling adventurous. I’ll also be asking for input on Facebook, so follow me if you would like to vote for glyphs there instead.
Hugs and Kisses,
P.S. I’m also making the prints for donors at the $50 level or higher, don’t worry. I need to buy and reclaim screens like mad first, and Ink Annex has no power washer :(